Emerson: Choice: Life-Story Title or Community
100-200 words
Choose one. Option A: Much of the work that students do at Emerson College is a form of storytelling. If you were to write the story of your life until now, what would you title it and why? Option B: At its best, how does community benefit the individual, the whole, or both? (100-200 words)
You pick one of two options. Option A asks for a title for your life story so far, and the reasoning behind it; this is a voice-and-storytelling test. Option B asks you to think about how community helps people, ideally grounded in a community you actually belong to. Choose the one that does not duplicate your personal statement and that plays to your strength: wit and voice for A, perspective and reflection for B.
Emerson uses this prompt to see how you think and how you sound. Option A rewards a writer with a distinctive voice and a sense of humor about themselves. Option B rewards a thinker who can hold a real idea and stay specific. Both are checking whether you can take a small frame and make it carry meaning, which is the whole job of an Emerson student.
Brainstorm a surprising, honest title (an inside joke, a recurring object, a habit) and let the why do the emotional work.
Pick a marching band, a kitchen crew, a fandom, a neighborhood, and one concrete exchange you witnessed or lived.
Whichever you pick, open small and concrete, then let the final line open the frame into something larger about you.
“If I had to title the story of my life, I would call it The Journey, because life is a long and winding journey full of ups and downs.”
“I would title it Some Assembly Required, after the eleven IKEA bookshelves I have built for other people and the one I have never finished for myself.”
- 1Answers Option A's core demand (a title) immediately and memorably, and previews the making theme Emerson values.
- 2Grounds the abstract title in a specific, sensory scene rather than explaining it in the abstract.
- 3Stacks concrete made things, reinforcing 'evidence of making, not just liking,' with honest mention of failure.
- 4Returns to the title and earns it with a clear thesis, showing structural control in a short space.
- 5Reveals temperament and voice, suggesting curiosity and process, which align with a storytelling-driven campus.
- 6Closes with subtle Emerson fit (tools, making real work) while keeping the metaphor consistent to the final word.
- For Option A, what is one small, true, slightly odd title (an object, a habit, an inside joke) that you could actually defend for a paragraph?
- For Option B, which single community do you genuinely belong to, and what is one concrete thing it gave you or cost you?
- Which option avoids repeating the anecdote and tone of your personal statement?
- Does the essay open with a concrete scene or surprising title rather than an abstract thesis?
- Does it stay within 100-200 words and avoid reusing material from your other essays?
- Does the final line widen the frame instead of restating the prompt?
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