Yeshiva  /  Essays  /  Prompt 2

Yeshiva: Long essay

500-750 words

Here's how I intend to change the world... (Long essay, 500-750 words; YU also offers alternate long-essay options such as a 'hakarat hatov' gratitude letter to someone in your life. Honors applicants respond to an additional long essay, for example 'You just completed your 1000-page autobiography, please submit page 613.')
What it’s really asking

This long essay is your main personal statement for YU. The 'change the world' option asks for a specific, real intention backed by who you already are, not a vague vision. The gratitude option (hakarat hatov) asks you to write a genuine thank-you letter that reveals your values through a relationship. Pick the prompt that lets one true story carry a value YU cares about. Confirm the exact current option list and word range on yu.edu, since YU rotates and offers several long-essay choices.

Why they ask it

Because YU is holistic and test-optional for most applicants, this essay is where readers meet you as a person. The playful framing is a test of whether you can be specific and sincere at once. Big, vague answers tell them nothing; one small, real plan or relationship tells them everything.

Three ways in
Start small and real

Begin with a specific problem you have actually bumped into, not a global headline, and show the plan you already started.

Write to one person

For the gratitude option, pick one person and one concrete debt you owe them, then write to them, not about them.

Find the turn

Locate the moment you stopped being a bystander and did something, and let that be the spine of the essay.

✕  Weak opening

“Ever since I was young, I have wanted to make the world a better place for everyone around me.”

✓  Strong opening

“The first time I taught my grandmother to text, she cried, and I realized half her loneliness was a software problem.”

✦ Annotated example 1 of 2 · Change the world: the small radius. Written by EssayLens to teach, not a real applicant’s essay. Tap a highlighted line →
Here is how I intend to change the world: slowly, and at first only the four blocks around my grandmother's apartment. 1I used to find that embarrassing. In ninth grade I wrote an essay about ending world hunger that my teacher, Rabbi Feldman, handed back with one comment in the margin: "Whose hunger? Name them." I could not. I knew statistics, not people. 2So that summer I stopped trying to feed everyone and started driving Shabbat meals to the eleven seniors on my grandmother's delivery list. 3Mr. Rosen wanted his soup in a glass jar, never plastic, because plastic reminded him of the hospital. Mrs. Klein needed me to ring twice and then wait, because she walked slowly and hated being rushed. Mrs. Adler did not want the food at all; she wanted twenty minutes of company and someone to argue with about the parsha. 4I learned that helping people is mostly the discipline of paying attention to what they actually asked for, which is harder and less flattering than the version where I arrive as a hero. 5This is where my Jewish life and my plans stopped being two separate things. I had always treated davening as private and ambition as public, the synagogue on one side and my interest in public health on the other. 6But the laws of tzedakah I was learning insisted that giving has an order, that the poor of your own city come before the poor of another, that dignity is owed even in how you hand someone a meal. Maimonides ranks the gift that lets a person stop needing gifts above all the louder kinds. 7That was not abstract ethics; it was a delivery schedule. The Gemara was telling me how to organize my afternoons. 8So I have shrunk my ambition on purpose, and it has somehow grown. I want to study public health and the economics of aging, the unglamorous machinery of how societies care for people who can no longer earn. I want to understand why Mr. Rosen's clinic closed and Mrs. Klein's pension does not cover her heat. 9But I want to study it as someone who has carried the soup, who knows that a policy is eventually a person ringing a doorbell twice and waiting. 10Yeshiva University is the only place I can keep both halves in the same day. I can spend the morning in a shiur on Choshen Mishpat, the laws of money and obligation, and the afternoon in a statistics course on health outcomes, and treat them as one continuous question instead of a contradiction I have to hide. 11I no longer think changing the world means standing somewhere very high and announcing it. I think it means knowing eleven names, then a hundred, then learning the systems that decide whether those people eat with dignity, and refusing to treat the small radius and the large one as different work. 12I intend to start with the soup, and not be embarrassed about it anymore.13
  1. 1Subverts the grand 'change the world' frame immediately, signaling humility and specificity, which reads as authentic rather than performative.
  2. 2A named mentor and an exact piece of feedback ground the turning point in real detail instead of abstraction.
  3. 3Shows action that follows the lesson, demonstrating a value lived rather than merely stated.
  4. 4Three vivid, particular people make the abstract idea of chesed concrete and unforgettable, the texture YU prizes.
  5. 5Articulates a mature, hard-won insight, showing reflection and self-awareness, not self-congratulation.
  6. 6Names the Torah Umadda tension explicitly, setting up the integration that is central to YU's mission.
  7. 7Specific, accurate Torah content (Rambam's ladder of tzedakah) shows the writer actually learns the texts, rewarding substance over name-dropping.
  8. 8Collapses the sacred-secular divide into one crisp line, the thesis of the essay delivered without preaching.
  9. 9Translates the personal scenes into a clear, credible academic direction, tying the narrative to real intellectual goals.
  10. 10Reconnects the lofty field of study to the lived image, keeping the essay grounded and coherent.
  11. 11Names precise YU offerings and frames them as a single intellectual project, demonstrating researched, authentic fit.
  12. 12Returns to the opening image of the four blocks, scaling it outward, giving the essay a satisfying full-circle structure.
  13. 13A short, plain final line that lands the humility and conviction without grandiosity, true to YU's taste for the lived over the polished.
✦ Annotated example 2 of 2 · Hakarat hatov: a letter to Mr. Okafor. Written by EssayLens to teach, not a real applicant’s essay. Tap a highlighted line →
Dear Mr. Okafor, you probably do not know that you taught me what hakarat hatov means, since you are not Jewish and I never said the phrase out loud to you. 1It means recognizing the good, the discipline of noticing who carried you and saying so before it is too late. So I am saying so. 2You were the custodian at our shul, and for three years you unlocked the building at 6:40 every morning so a sleepy teenager could learn before school. 3I treated you like part of the furniture for most of that time, a man with a key ring, until the morning my father was in the hospital and I came to daven alone and you noticed my face. You did not say much. You made me instant coffee in the kitchen we were not supposed to use and sat with me until the minyan filled in. 4I had spent years studying texts about kindness while overlooking the kindest person in the building. 5That contradiction has stayed with me, and it is part of why I am writing this application to Yeshiva University at all. 6I want to learn in a place that refuses to let me keep my Torah and my ordinary life in separate rooms, where the laws of how you treat a worker, the prompt payment of wages, the dignity owed to the person holding the keys, are studied as seriously as anything else. 7At YU I plan to study political science and labor economics, because I want to understand and eventually fix the systems that make people like you invisible. The shul paid you, but the city around you did not see you. I want to learn why. 8I am not writing this to feel virtuous. Hakarat hatov is not a feeling; it is an obligation, and the strange thing about obligations is that fulfilling one usually reveals three more. 9Recognizing your good forces me to ask who unlocks the buildings I will walk into for the rest of my life, and whether I will see them. 10So here is my recognition, late but real. You kept a light on for a kid who was learning how to be good from books while a living example stood by the door with coffee. 11I intend to spend my education becoming the kind of person who notices the next Mr. Okafor on the first morning, not the worst one. Thank you. That is the whole essay, and also the work of a lifetime.12
  1. 1Chooses the alternate gratitude-letter option and opens with warmth and an unexpected angle, signaling authenticity.
  2. 2Defines the value plainly for a reader outside the tradition, showing the writer can name and translate what they believe.
  3. 3Concrete, humble specifics (the exact time, the role) make the gratitude credible rather than sentimental.
  4. 4A single vivid scene of being seen carries more emotional truth than a list of favors, rewarding specificity.
  5. 5Honest self-criticism shows reflection and humility, avoiding self-congratulation.
  6. 6Pivots the personal letter toward the actual admissions question without breaking the letter's voice.
  7. 7Names accurate Torah content (laws of paying a worker) and ties it to the lived relationship, proving real fit with YU's mission.
  8. 8Connects gratitude to a concrete, credible academic direction, giving the essay intellectual weight.
  9. 9A sharp, mature line about the nature of obligation deepens the essay beyond a thank-you note.
  10. 10Universalizes the lesson, showing the value will shape future behavior, not just past sentiment.
  11. 11Returns to the central image of the early-morning door, closing the loop with concrete warmth.
  12. 12A modest, resolute closing that fuses the named value with a lifelong commitment, exactly the lived-values fit YU rewards.
Stuck? Start here
  • What small, specific problem have I actually tried to fix, even badly, with my own hands?
  • Who is one person I owe a real debt to, and what exactly did they give me?
  • When did I stop watching and start doing something, and what changed because of it?
Before you submit
  • Is there one concrete scene a reader could picture, with sensory or specific detail?
  • Does a value YU cares about (chessed, gratitude, responsibility) show up through the story rather than as a label?
  • Am I comfortably under the word limit with a sincere ending that points forward?

Drafted it? Get an honest, admissions-style read, free.

Score my essay